Entertainment
The Man from Hollywood
By Khursheed Hyder and Anum Ahmed
For people who have watched Iron Man or Star Trek, the name Faran Tahir comes to mind immediately. The laurels do not stop there – he has played the title role of Othello at the Shakespeare Theatre in Washington DC and performed in over 50 roles in major theatres across the US in classical and contemporary acts. Faran has been a Hollywood insider for over 25 years now and has starred in many TV series and films. His debut appearance was in Disney’s The Jungle Book in 1994 as Mowgli’s father. The star spoke about roles and the possibility of working in Pakistan.
You have worked in many Hollywood films and TV shows; how difficult is it to get a role for a non-American actor?
It is not easy and I won’t lie to you but I always find if anytime someone says no to me, that’s not rejection to me that’s fuel to my fire because if you take every no personally or get rejected or discouraged then where are you going to go? I can’t change the colour of my skin. I can’t change who I am as a Pakistani so I embrace that and make it my strength. I call it my USP – unique selling point.
You have done Broadway and played Shakespearean roles despite being from Pakistan. I think if you focus on trying to develop your merit, sometimes all those things that might hold you back disappear, so what I did was I got my Masters in Performing Arts, studied Shakespeare and tried to make sure that I could understand the spirit of it and how to use that diction, and that language because that’s what Shakespeare gives you. The question is not where you come from, it’s the question of understanding the real spirit of something.
Why haven’t you worked in Pakistani films where you have a fan base?
I would love to work here and a few times I was offered to me, but unfortunately because of logistics and sometimes if I don’t connect with the storyline, then there’s no point of doing it because then I can’t give it my all. To me, content is everything. I am hoping it will happen soon and that’s why I directed this play to perform in Pakistan, to start the process and reintroduce myself through theatre or whatever I can possibly come up with. If I look at the film industry right now I feel very encouraged because the path we are on is actually creating our own distinct voice. For the longest time, our movies and our content was very monotonous. We are finally coming to a point and on the verge of exploring the new genres and exploring new issues.
Tell us about your performance on-stage with your brother Ali Tahir and your experience directing in Pakistan for the first time.
Nervousness is not in my lexicon so I bypass nervousness and fear. I look at fear as energy and channel that energy into my work and leave it to the audience. To be honest, I love criticism because sometimes constructive criticism makes me want to do better but yes, if someone is criticising me maliciously then I am not going to take it.
Coming from a family that is into acting, I started off from the mirror of my bathroom and used to act in front of it. My parents wanted me to make sure that their children had a normal childhood. I grew up literally backstage. I would come back from school and my playground was the costume shop, the makeup room and I used to know everyone’s lines at the tender age of just five. After the show, I used to give them their notes and point out which lines they had missed. In a way, it was great because I could then experience regular life and what do we do when we are trying to act.
When did you start acting?
I started proper acting when I was a freshman in college in US and when I came back, the first play which I did was written by Bano Qudsia and my mother and I acted in it. I have done a few plays in Pakistan, back then my brother Ali Tahir was doing a TV serial named ‘Samjhauta Express’ on PTV and I was in that too. We picked this play ‘Bhai Bhai’ which is a dark comedy to pull people in with laughter, but there is an underlying message which is a real commentary on the society today that we move in, so it had to have that balance. As far as the audiences are concerned, I think every audience whether it is here or from England, the US and other places, creates unspokenly a similar culture. It does not matter when you are doing it as long as the audiences are engaged and you are doing an honest piece of work. It works out. Play ‘Bhai Bhai’ wasn’t for an average person; it was for a certain class.
Your father Naeem Tahir is a pioneer of theatre in Pakistan, how will you carry his legacy forward?
By being honest in whatever I do. The thing I love about my father is that he has worked witout an ego and has always taught me to do my best, and there is nothing you cannot succeed in as long as you work on it. His legacy to me is his untiring effort and that’s what I want to do.
You have worked with Mahnoor Baloch in Hollywood movie Torn. Tell us your experience.
It was really good and we clicked from the very first day; when somebody has talent you know it and you know it’s going to raise your bar also. Similarly, I just worked in an upcoming movie ‘Forbidden Steps’, semi-produced it and we brought Qavi uncle to the US to play my father. The other thing that we must do is start to promote our own legends. We can go to other countries and have them cast there, we have so much to offer to this world and shouldn’t keep our gems hidden. It was not only a pleasure working with Mahnoor Baloch and Qavi uncle but also an honor.

How was the experience of becoming the first Pakistani to star in a Marvel film and Star Trek?
Doing a Marvel film or Star Trek takes you back to being a 10-year-old boy. As a Pakistani, I must give my best, and it’s a merit that makes Pakistan shine as well and what makes me and my country proud. Most of all my dream roles of course are classics, like I was blessed to be part of Othello, which is a huge Shakespearean play and now I want to do something different whether I fall or succeed. One of my teachers once said that ‘If you fall back you are resisting, if you fall forward, you are adventuring, so always fall forward and take the risk and see where you go with it.
In the next five years, I see myself as an honest storyteller. Perhaps as a producer or an actor of what I am very passionate about and find the means to bring it to people.
Your message to aspiring artistes.
My message would be to always dream big and always be ready, work hard to turn those dreams into reality. I have been there and there were times I had no money and lived from hand to mouth, but I do not take that as an embarrassment. In fact, I wear that as a badge of honor. All your failures must be faced with bravery and humility, and your successes must be faced with grace.
Entertainment
Saba Qamar Opens Up About Her Health Scare: “Mental Stress Can Break You in Ways You Don’t Expect”
In a rare and heartfelt revelation, Saba Qamar has opened up about a deeply personal health scare, a mild heart attack brought on by mental stress.
Speaking in a recent interview about the importance of mental health, the Kamli star shared that she underwent angiography just a day after the episode, adding, “By the grace of Allah, I’m feeling much better now.”
“We think we’re strong until life proves otherwise”
Saba spoke candidly about how easily emotional strain can turn physical:
“We all believe we’re strong enough to handle anything life throws at us, but sometimes that pressure builds up. It can turn into anxiety, depression, even a heart attack.”
She went on to reveal that her doctors listed nearly 20 potential causes behind her condition.
“It’s not always cholesterol. Sometimes stress, grief, or emotional pain quietly attack your body,” she explained.
A Reminder to Take Mental Health Seriously
Calling mental health “the most important part of our well-being,” Saba urged people not to dismiss what they’re feeling.
“Don’t ignore your mind. Your body listens to it more than you think,” she said.
It’s worth noting that on August 1, the actress was hospitalized mid-shoot after suddenly feeling unwell. Doctors later advised her to take a month-long break for complete recovery.
Now on the mend, Saba’s message is clear: even the strongest hearts need rest, care, and compassion.
Drama
Where Jinns Meet Humans

The Pakistani drama industry has always been a place where magic happens when the right blend of artists, stories, and vision come together. Every once in a while, audiences can sense that something extraordinary is about to arrive, and HUM TV’s upcoming project “Jin Ki Shaadi, Un Ki Shaadi” is one of those rare productions. Starring the internationally acclaimed Wahaj Ali and the immensely talented Sehar Khan in their first-ever on-screen pairing, and helmed by the masterful direction of Saif e Hasan, the drama promises to captivate viewers with its unique story, compelling characters, and grandeur.
Wahaj Ali, who began his acting journey in 2015 with Ishq Ibadat, has risen to become one of the most admired actors in the country. His remarkable ability to bring depth, truth, and emotional intensity to his roles has earned him fans not just in Pakistan but across the globe. With memorable performances in dramas such as Dil Na Umeed Toh Nahi, Bikhre Moti, Fitoor, Mujhe Pyaar Hua Tha and Jurm, along with his portrayal of Imam Rumi in Jo Bichar Gaye, he has established himself as an actor of great versatility. Blockbuster serials like Ehd-e-Wafa and Tere Bin further elevated his stardom, making him one of the most sought-after names in television today. His contribution to cinema with Superstar added another dimension to his career, proving that his artistry transcends mediums.
Opposite him stands Sehar Khan, a name that has charmed audiences with her innocence, vibrance, and natural screen presence. Starting her career in 2018 with Sanwari, Sehar quickly earned recognition for her engaging performances and versatile roles. Born in Islamabad, she has worked in popular dramas such as Rang Mahal, Zakhm, Mushk, Fairy Tale and Tan Man Neel o Neel, each showcasing a different shade of her acting talent. The phenomenal success of Fairy Tale brought her into the limelight like never before, with her chemistry in the drama becoming a talking point everywhere. The appreciation translated into a well-deserved HUM Award in 2024 for Best On-Screen Couple, further solidifying her place as one of the brightest young stars of the industry.
The drama comes to life under the direction of Saif e Hasan, whose name is associated with some of the finest productions in Pakistani television. Starting with Dil Ki Madham Boliyan, he has given the industry masterpieces such as Sang-e-Mar Mar, Sammi, Ehd-e-Wafa, Parizaad and Tan Man Neel o Neel. Known for his ability to weave stories that are emotionally charged and visually striking, Saif e Hasan has won numerous accolades, including Lux Style Awards, for his outstanding contribution to the craft. His vision promises to make Jin Ki Shaadi, Un Ki Shaadi not just another drama, but a memorable experience for viewers.

What makes this drama stand out is its unusual yet refreshing storyline. It is not just a tale of love, but a satire laced with humor, fantasy, and raw emotions. The title itself hints at its clever theme, portraying how society often obsesses over others’ marriages while overlooking their own realities. The narrative follows two brothers, Asad and Ali, who, in accordance with their late parents’ will, are compelled to live in their ancestral mansion. Once there, they encounter a family of jinns, which sets the stage for a rollercoaster of events. The twist arises when the unmarried brother, played by Wahaj Ali, is bound by a condition: he must marry within six months or lose his inheritance. What unfolds is a fascinating blend of comedy, suspense, and emotion, with a parallel love story between a jinn and a human adding further depth and intrigue. It is a story of love, loyalty, and the clash between human and supernatural worlds, crafted in a way that will keep audiences hooked.
Alongside Wahaj Ali and Sehar Khan, the drama boasts a stellar supporting cast including Arslan Naseer, Romaisa Khan, Sidra Niazi, Syed Jibran, and Nadia Afghan. With a strong lineup of performers, every character in the drama promises to leave an impression. The story has been conceived by Shamoon Abbasi and written by Syed Nabeel, whose script blends wit, emotions, and drama with seamless finesse. The production is in the hands of MD Productions, a banner that has consistently delivered quality dramas that resonate with audiences at home and abroad.
The on-screen pairing of Wahaj Ali and Sehar Khan has been a long-standing wish of fans, who have often expressed their desire to see the two together. With this project, that wish finally becomes a reality. Their combined star power, undeniable charisma, and acting prowess are expected to bring electrifying chemistry to the screen, making Jin Ki Shaadi, Un Ki Shaadi one of HUM TV’s landmark productions.
The drama premiered on 8th September and airs Monday and Tuesday at 8:00 PM on HUM TV. With its refreshing concept, powerful performances, and captivating direction, Jin Ki Shaadi, Un Ki Shaadi is entertaining audiences and leaving a lasting impression in the world of Pakistani drama.
In Tune
Faakhir Mehmood – Music Embedded in the Soul
Meeting an artist whose voice defined an era, Faakhir Mehmood greets you not with the air of a pop legend, but with the warmth of an old friend. Witty and friendly, Faakhir’s journey from the Awaz days, crafting patriotic anthems and soulful ballads is a chapter in Pakistan’s music history.
Now, as digital waves replace cassette decks and TikTok trends redefine hits, Faakhir continues making melodies and staying true to what first pulled him into music. “Honestly, it feels like riding a wild musical roller coaster,” he smiles, reflecting on his journey. From engineering classrooms to global stages, the transformation has been surreal. “I barely recognize the engineer-turned-musician in old pics!”

Faakhir’s musical career first took flight with Awaz, the iconic ’90s pop band that helped shape the sound of a generation. And while the band has long disbanded, the memories remain golden. “What I miss the most is the friendship, the chaos,” he says fondly. “Haroon’s energy, Asad’s stratocaster riffs, my frantic keyboard noodling… and those epic moments when we’d finally agree on a final version of a song. It was electric.”
From those jam-packed, impromptu sessions to today’s meticulous studio marathons, Faakhir’s process has evolved with time but the same heart remains. “Back then, we’d jam until someone had to escape for a date,” he laughs. “Now it’s long hours in the studio, powered by karak chai or a strong Americano.”
While his discography is filled with iconic hits, it’s ‘Kaash Hum Juda na Hotay’ from the album Mantra that holds the deepest place in his heart.“It came from a very personal space,” he shares quietly. “It still gives me goosebumps every time I hear or sing it.” His breakout solo anthem, “Dil na Lagay Pakistan”, still stirs hearts across the country—something he says was born out of youthful hope and a desire to connect with the nation. “I wanted to give people a proud, emotional wake-up call for loving the country. It just came in my heart one day.”
And who could forget ‘Mahi Ve’—the song that became a cultural reset? “Ironically,” he chuckles, “that melody was actually a rejected jingle from an ad I did. Later, I turned it into a full-fledged song. Never thought it would become a classic!”
A man of many hats—composer, singer, director—what role does he enjoy the most? “Composing,” he answers instantly. “It’s like cooking a fusion dish. But performing live? That’s the ultimate high. That energy, that crowd—it’s addictive.” Despite the quieter public presence in recent years, Faakhir’s creativity hasn’t slowed down. “I’m always composing,” he reveals. “I have tons of unreleased material sitting in my vault.”
Still, he admits the changing tides of the music industry have been a lot to keep up with. “Streaming, social media, TikTok—it’s overwhelming,” he says honestly. “I desperately need someone to help me with that part!” He credits Coke Studio for keeping local music alive and ever-evolving. “It’s like a chemistry lab,” he says. “Taking old, new, folk, pop—mixing it all together to create something that resonates with everyone. It’s genius.”
To young musicians trying to find their voice in this fast-paced world, his advice is delightfully simple,“Stay weird. That’s your flavour,” he says. “Learn the tools, sure, but don’t let them erase your creative spark.”

Behind the scenes, Faakhir still surprises fans. Did you know he’s a certified electrical engineer? “Yes, I can probably fix your Wi-Fi router,” he jokes, “but only after I’ve tuned a piano.”
As for what’s next, the composer hints at a few exciting collaborations. “They’re brewing,” he says with a mischievous grin, “but I’m so lazy! Fingers crossed.”
If he could give his younger self any advice? “Pace yourself. Don’t be lazy, don’t get too comfortable.”
And what does success look like to Faakhir Mehmood in 2025? He smiles thoughtfully. “A peaceful home, a cup of karak chai, a melody on the keys… and knowing that someone out there still hums one of my songs and understands the heart behind it.”
In the end, how does he want to be remembered—not just as a musician, but as Faakhir? He answers simply, without pause, “As someone genuine, generous, kind-hearted… and who truly loved his craft.”
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