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Breaking the Stereotypes
Tan Man Neel o Neel, HUM TV’s last mini-serial in a trilogy produced by Sultana Siddiqui, captured the audience’s attention with its gripping story and powerful message. Written by Mustafa Afridi and directed by Saife Hassan, the drama has left an indelible mark on audiences and critics alike. It blends love, emotions, and a much-needed reflection on the society we live in.
The story revolves around the harsh realities of mob mentality and its dangerous consequences, highlighting how collective hysteria can lead to chaos, often harming even those who initiate it. Through this, the drama sends a strong message about the need for tolerance and understanding.
What makes Tan Man Neel o Neel exceptional is its fearless engagement with sensitive issues. One of its most powerful narratives challenges the perception of sexual violence as a gender-specific crime. The drama sheds light on how rape is less about gender and more about power. Moon’s traumatic experience reveals how those in positions of privilege exploit their power to prey on the vulnerable, breaking the stereotype that only women are victims of such crimes.
But the most impactful takeaway from Tan Man Neel o Neel is its stance on survival and justice. It emphasizes that rape survivors should not remain silent due to societal shame. Their loved ones should also support them in healing and seeking justice against the perpetrator. A key moment in episode two presented Sonu coming to terms with his failure as a friend to Moon, realizing that prioritizing his dancing career over Moon’s struggles was a mistake. Encouraged by Raabi, he understands that the assault was not Moon’s fault—it was entirely the abuser’s. This message of support and resilience is a rare and necessary depiction in mainstream media.
Beyond its thought-provoking social commentary, the drama beautifully explores love across two generations. Raabi, a lively social media influencer played brilliantly by Seher Khan, experiences how fame can turn into a nightmare when public scrutiny and controversy take over. Shuja Asad, as a talented dancer, portrays the struggles of following one’s passion while battling societal expectations. Their chemistry brings a fresh, modern love story to life, layered with challenges and emotional depth. Meanwhile, an older couple’s story adds a nostalgic charm, proving that love remains resilient across time and circumstances.
By holding a mirror to society, Tan Man Neel o Neel dares viewers to confront their biases, question mob culture, and embrace empathy. It has sparked much-needed conversations about justice, survival, and the importance of standing by those who suffer in silence.
With its powerful performances, bold storytelling, and deep societal impact, Tan Man Neel o Neel is not just a drama, it’s a reality check. A beacon of hope, resilience, and introspection, it reminds us all of the importance of compassion, love, and the courage to speak up in a world that often silences the truth.
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Remembering Zubeida Mustafa

Zubeida Mustafa, who passed away recently, was much more than a distinguished editor at Dawn. She was a pioneer, a mentor, and a beacon of inspiration whose guidance shaped generations of professionals in journalism and beyond.
Those who worked with her often spoke of her rare ability to bring out the best in others. She had a gift for mentoring, encouraging her colleagues to discover their potential and pursue meaningful work. Many who came under her influence went on to lead impactful lives, a testament to her nurturing presence.
Her legacy was celebrated at a gathering organized by Idara-i-Taleem-o-Agahi (ITA) and Pakistan learning Festival, where friends, colleagues and mentees paid rich tributes. ITA CEO Baela Raza Jamil remarked that “Zubeida Mustafa may have left, but not before showing the way to so many.”
Many renowned people who had gathered in remembrance of this brilliant person, spoke on the different aspects of her life and how she had impacted theirs.
Her journey was not without challenges. Born with a condition that required her to wear special shoes, and later struggling with hearing and eyesight difficulties, she nonetheless carried herself with unwavering determination. Her resilience was matched only by her work ethics. At Dawn, she wore many hats: writing daily editorials, producing weekly columns, managing the paper’s vast reference library, and editing its celebrated literary supplement, Books & Authors.
Her appointment as assistant editor marked a historic milestone — she was the first woman to hold such a senior position at Dawn. At a time when female representation in newsrooms was scarce, she carved a path that many others would follow. She often credited her editor, Ahmad Ali Khan, for supporting her professional journey, particularly when she balanced her career with raising children. His understanding approach enabled her to remain in the newsroom while tending to her family, a flexibility that allowed her to thrive in both roles.
Over the years, as more women entered journalism, many looked to Zubeida Mustafa as a guiding light. She generously mentored colleagues, offering advice and encouragement until her very last years.
After leaving Dawn in 2009 due to declining eyesight, she continued to make her voice heard through her writings. Her columns tackled critical issues such as health, education, human rights, and environmental challenges. The books she authored, along with the archive of her articles preserved at www.zubeida-mustafa.com, continue to serve as a resource and a reflection of her sharp intellect and compassionate outlook.
Her funeral brought together former mentees and colleagues, who gathered not in mourning alone but in gratitude for the values she embodied: integrity, perseverance, and the joy of meaningful work. Her influence endures in the countless lives she touched.
Centre of Excellence in Journalism (CEJ) also held a remembrance meeting with former colleagues and friends speaking at the gathering. Zubeida Mustafa’s sister, Dr. Fatima Jawwad talked about her earlier life on the occasion.
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HUM Network Hosts Mehfil-e-Milad to Mark Eid Milad-un-Nabi

HUM Network organized a Mehfil-e-Milad recently, at Pearl Continental Hotel, Karachi, to celebrate Eid Milad-un-Nabi – an event that provided an opportunity to the women employees as well as families and friends, to come together in an atmosphere of unity and devotion to strengthen their spiritual connections and honour the teaching of Prophet Muhammad (PBUH).
The venue was thoughtfully decorated, featuring a beautifully adorned stage with elegant floral arrangements, where women naat-khawans, dressed in traditional attire, recited naats that impacted the audience with their beautiful and soulful rendering. The event began with a warm welcome by HUM Masala hosts Kiran Khan and Abeel Khan, who highlighted the significance of Eid Milad-un-Nabi—not only as a celebration of the Prophet’s birth but also as a reminder to embody his values of compassion, kindness, and justice in our daily lives.
The Mehfil featured inspiring naat recitations by Tahreem Muneeba, Talat Hashmi, Bushra Ansari, Samina Kamal, Maha Aslam, Sandiya, and Ayat Sheikh. A thoughtful bayan delivered by Khushbakht Shujaat encouraged attendees to strengthen their spiritual connection through reciting durood and seek Allah’s blessings through prayer and reflection.
The event was graced by Sultana Siddiqui, President, HUM Network, along with artists and media personalities such as Nosheen Shah, Sidra Iqbal, Nadia Hussain, Ghazal Siddiq, Amna Ilyas, Fauzia Aman, Masarrat Misbah, Irum Tanveer Odho, Saba Ansari, Angie Marshall and Seemi Pasha.
HUM Masala chefs Shireen Anwar, Rida Aftab, and Samina Jaleel were also present. The event concluded with a heartfelt dua led by Talat Hashmi, followed by a high tea that provided an opportunity for discussion and conversation.

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Runway SS’25 – Fashion For A Cause

When the fashion runway is used to promote a noble cause, the latter elevates its status to something above and beyond a fashion platform — it becomes symbolic and a harbinger of positivity and change. Runway SS’25 show held in Karachi focused on this noble cause.
A fashion segment highlighting the sartorial designs of unisex designer Zubair Shah and his all-white puritanical collection with its avant-garde design sensibilities, was elevated when he joined forces with the iconic Masarrat Misbah’s Depilex Smile Again Foundation to put the spotlight on acid burn survivors and their path to recovery overcoming personal challenges, familial constraints and social taboos. They stood tall as spokespersons for the DSF as ambassadors for their cause, to a standing ovation.
While the night belonged to the DSF survivors, others also made their mark with their contributions to the fashion. Bridal couturiers were aplenty with Mahi’s, Ramsha Iqbal, K. Yousuf and Lubna Mudassir all carving their niche on the fashion runway. While their sensibilities varied, what united them was their expression in design, eye for colours and choice of embellishments, and experimentation with newer trends in cuts and silhouettes.
In another distinctly iconic moment, actress and host Nadia Khan’s daughter Alizeh made her debut as a fashion model on the Runway SS’25 ramp for debutant bridal designer Ramsha Bilal. But they were not alone in their declaration that night as fashion students of the Millennium Institute of Technology and Entrepreneurship (MITE), budding young designers displayed their full potential in brilliantly sculptured costumes on sociopolitical themes brinking on the bizarre and outlandishly insane.

Sheema Kermani performing to an exclusive recording of Faiz Ahmed Faiz’s Dasht-e-Tanhai was the piece de resistance when it comes to dance performances, with the dance troupe of the trio of Naina Black, Yoshua Hussain and Shehzore Akhtar coming in a very close second with their performance to Khamaj by Shafqat Amanat Ali. Singer Syed Hasaan gave his vocal performance after the dance.
Walking away after the event suddenly made one hit the realisation that fashion outing was spiritually wholesome and uplifting, irrespective of the minor glitches.
The show had a double runway, giving a unique look, though one has to train the audience to sit and not move about during the models’ catwalk. Though there were minor glitches, the effort put in by the organisers was obvious and very commendable.
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