LifeStyle
Destination Pakistan

By Shanaz Ramzi
As an ardent supporter of promoting local tourism, an opportunity to visit parts of Pakistan’s northern areas came when my son informed that he was planning a trip to the north with his in-laws and some of his friends and asked us to join as well.
So, while the rest of the party left earlier, driving from Karachi all the way, my husband Zul and I flew into Islamabad where we had rented a four-wheeler to drive up to the Balakot checkpost and meet up with the others. The motorway was of course, everything people say it is – a fantastic drive complete with two highly impressive tunnels at Abbottabad – but the one thing sorely missing en route, right up till Mansehra, which was at an-hour-and-a-half drive from Islamabad, was washrooms. I was quite surprised that there were none on the way as I had heard that the Punjab government had made some state-of-the-art ones off the motorway, which one could use at a payment of rupees 50 per person.
Driving for another two hours we reached Balakot checkpost, the gateway to Kaghan Valley, and waited for the rest of our party to catch up. I had heard so much about the beauty of Kaghan Valley and its green hills and thick forests, that the relatively uninspiring landscape and mountains shorn of trees that we passed came as quite a shock.
Stopping only to take pictures at the raging Kunhar River, the 166 km river that originates at Lake Lulusar and is the main feature of Kaghan Valley, we spotted signage announcing fresh trout available along its banks and passed many restaurants that served just trout.

The road all the way had been perfect, and in another 45 minutes we reached the town of Kawai. Nothing prepared us for the trek that awaited us thereafter, to our hotel in Shogran, one of the most beautiful plateaus in the valley. The one-hour drive to our hotel – Cedar Wood Resort — from Kawai was via a narrow, steep, winding, uneven, rocky track that is only recommended if you are in a four-wheeler. The good news is that all the hotel owners – yes, all hotels in Shogran are only accessible via this track – know this and have kept a parking spot at Kawai, at the foot of this path, for those adventurous tourists who may have set out to explore the northern areas in a sedan rather than a SUV. So you can park below and then take the hotel jeep up to the hotel.
After what seemed to be forever, we finally reached our hotel – an aesthetically beautiful resort boasting a profusion of seasonal flowers and attractive landscapes. That’s where its merits ended. I wish the owners had spent as much time on the maintenance of their establishment and on providing the basic amenities that any seasoned traveler looks for, as they had done on beautifying the place, for the bathrooms were a disaster – the majority of the flushes of the WCs were not working, and the so-called ‘cleaned’ bathrooms were a mess. The staff had literally hosed down the bathroom after the rooms’ occupants had left – toilet roll, soaps, et al — and then left them wet for the next set of guests to check-in.
To make matters worse, there was no running hot water, and even in the peak of summer it was too cold to take a shower. Obviously, trained staff and quality service were not their strength, which is such a shame as the ‘resort’ could be a delight if they would just spruce up their act a bit. The establishment was on its way to setting up a chair lift, so it seems the problem was not a shortage of funds to invest in its upkeep but having a different set of priorities.
Our initial plan had been to stay at Shogran for three nights and to do day trips to all the nearby tourist areas, but having done the trek up to the hotel once, we were in no mood to do it daily. Hence, we checked out and made our way towards Naran, where we had tentative bookings for another hotel.
En route we stopped at Trout Park Fish Point and Restaurant for lunch – a treat we had been dreaming about since the day before! With clear streams gushing forth and charpoys laid out over running water where one could sit and dip one’s feet in its icy cold temperatures while partaking of delectable fried trout, the wayside eatery was a refreshing stop in more ways than one. The brown trout from Kunhar River and rainbow farm trout fried in fresh masala prepared by the cooks, were devoured in no time, as was the karhai chicken, (prepared in a wok) and mash daal (white split lentils).
Naran turned out to be extremely crowded – it was a weekend that day – and so congested with hotels stuck to one another that we decided to drive to Batakundi instead, which proved to be the best decision we could have made.
The isolated Pine Top Hotel overlooking magnificent views of Kaghan Valley’s highest peaks, was unoccupied, so we had the entire resort to ourselves. The chalets, each comprising two rooms with clean, attached bathrooms, kitchen, and a sitting room were just what the doctor ordered, and the cool, low temperature was the icing on the cake.

The next morning after breakfast we left for Naran and couldn’t believe it was the same town we had passed through the day before. Practically desolate now as it was a working day, we booked jeeps from there to take us up to Lake Saiful Muluk. Although private SUVs could also do the trek – and we did pass some on the way – they are discouraged by the locals, both because they want the jeep mafia to thrive since it is their only source of livelihood, and because parts of the terrain are treacherous and do require local expertise. It involves around 45 minutes of bumpy riding that is akin to a roller-coaster ride, but less smooth, and crosses a massive glacier on the way, the track in front of which is eroded, water-filled and difficult to traverse. On our way back, we witnessed a jeep that had got stuck there and had to turn back. We were told that at the peak of the tourist season, there are an average of 1500 jeeps doing the trek, and a long queue plying the narrow path.

Located at 10,500 ft above sea level Lake Saiful Muluk is described by one travel magazine that I had consulted before embarking on the journey, in the following words: ‘No trip to Kaghan Valley is complete without a visit to the legendary Lake Saiful Muluk. Words cannot describe the beauty and serenity of the setting and picture postcards do no justice. The crystalline waters of Lake Saiful Muluk reflecting the surrounding snow-peaked mountains is an image that must be seen in person’. So, when we took up the challenge of undertaking this trek, we had this vision in mind.
What we saw when we finally arrived at the parking area for the jeeps, was a garbage dump. Passing it, we climbed down a steep path and found ourselves flanked on both sides by shabby stalls selling pakoray, (fritters), tea, toys and whatnot, beyond which was a lake. That was our first impression of Lake Saiful Muluk. Kicking ourselves that we had tortured our backs undertaking this horrendous journey for this anti-climax of a vision, we decided to make the best of a bad bargain and went down to the lake, which left those among us who had seen it ten years ago, just as depressed, as they felt its water level had gone down considerably and it no longer looked as impressive as it did then.
Since the lake had a little barrage of sorts that allowed the water to collect in a stream flanked by rocky formations, we climbed down there to take some pics. With our moods slightly improved, we sat down to hear the story of Saiful Muluk from the baba (old man) who is always looking for an audience. As legend goes, the lake is named after Prince Sauful Muluk who fell in love with a fairy princess living in these mountains. She had been kept captive by a white giant and Muluk helped her to escape with him. According to the legend they live to this date in a cave near the lake. The old man tells the tale in Pushtu and is happy to take whatever you give him for his efforts, as indeed are a lot of other locals who hound you to hear the same story.
We then decided to take a boat ride on the lake since there was nothing else to do, instead of going back so soon after arriving and braving the horrendous ride again. It was a good thing we did because when you move away from the filth all around you and reach the centre of the lake, you do eventually see what all the fuss is about. Surrounded by impressive snow-clad mountains, crowned by the summit of Malika Parbat (Queen of the Mountains), the view is undoubtedly picturesque when seen from a point where there are no nearby eyesores to ruin the view.
Our boat owner took us across the lake where we were allowed a ten-minute stop to get off and slide down a glacier. Would you believe what we saw there, among other things – a dirty pamper! To the credit of the authorities, there were dustbins everywhere at Lake Saiful Muluk entreating visitors to throw rubbish in the bins but of course, our merry-making public which wants to have a good time in natural, scenic environs were not pushed about leaving the place worthy of visiting even a second time!
On our drive down, some of us got off to take pictures under the massive glacier – a rare treat indeed — and then we headed back to Naran. After a scrumptious lunch at a hotel we went off for a walk along the only main road that Naran boasts of, from where we bought dry fruit and had matka chai. For those who have not tried the latter, this is a must – especially the Kashmiri tea, served in an earthenware glass.
Exhausted, we went back to our hotel to call it an early night, as the next day we were leaving for Islamabad, while those who were travelling by road were going further up to Hunza. I came back with the realization that we have so much to offer in terms of tourism but so much more that we have to set right before it can develop into a full-fledged industry.

LifeStyle
A Home With a Difference

The Shahbaz Residence is an imposing structure that reveals the unusual treasures once you step indoors. Antiques, paintings, statues and weaponry greet you at every step. The floral and dry arrangements of Kaukab Ahmed, tell you of the interest of the owner in beautiful and aesthetic things. The number of antiques can easily fill up a museum.
Kaukab and (late) Jafi Shahbaz’s home showcases their exquisite taste and history of travels around the world. Painting’s from eminent artists like Gulgee, Zain Albedin, Jamil Naqsh, Iqbal Durrani, antiques from Italy, Germany, England, France and Switzerland are evident all around the home.





The different areas tell a story, with a silver crusted banister (staircase) with brass inlay, the drawing room speaks of the Victorian era with pleated curtains and elaborate upholstery, exotic blooms and antique coffee table silver ware; the Wedgewood corner with paintings and state of the art pieces. The bird corner highlighted with pigeon paintings and turquoise blue as the predominant colour presenting birds of paradise and different species are something very close to Kaukab’s heart. The Blue Japanese corner shows their travels to the Far East, with each decoration piece capturing the cultures of bygone eras.
The house showcases beautiful flora and fauna. Traditional abstract floral arrangements inspired by the royal era and ikebana white driftwood and exotic materials and flowers are maintained diligently. The fountain made with classic and glass shower birds present a variety of styles, in onyx and porcelain inlay work and pottery.







The Art in the home curated by Pomme, daughter of the Shahbazs’ boasts of fine paintings like Gulgee, Jimmy Engineer, Jamil Naqsh, Zain al Albedin and sculpture pieces of Amin Gulgee and Ajmal Hussain.
Jafi’s special love for beautiful things is evident in his study with a timeless collection of books, records, a vintage teak bar with crystal goblets of different cultures. The armoury section with weapons, daggers, swords and spears is quite impressive. The residence is evidence of a home with a difference.
LifeStyle
AlfaMall Unveils a Fashion Category

Bank Alfalah announced the relaunch of AlfaMall featuring an exclusive BNPL option in the fashion category. Marking the occasion, an exclusive exhibit featuring renowned designers was held at the historic Mohatta Palace, unveiling the new AlfaMall website with a celebration of style, financial empowerment, and digital innovation.

The event was graced by Senator Rubina Khalid, Chairperson of the BISP, Consul Generals from the UAE, US and UK Deputy High Commission, CEOs from leading companies, top-tier celebrities and influencers.
A feature of the new AlfaMall is the Hunarmand category, dedicated to supporting and empowering local artisans. Through partnerships with skilled craftsmen and craftswomen, particularly women artisans, this initiative highlights the cultural heritage of Pakistan through products like Ralli quilts and intricate embroidery. Customers can purchase these handmade items, supporting sustainable fashion and economic growth for artisans.
In line with Pakistan’s rich cultural heritage, the show in the fashion category showcased renowned fashion designers such as Deepak Perwani, House of Amir Adnan, Muneeb Nawaz, Ali Javeri, and Hassan Sheheryar Yasin (HSY). These fashion outfits and jewellery can be purchased on AlfaMall.
Munib Nawaz’s dystopian dream was an homage to the dilemma we all face each day, confronting what’s inside and trying to maintain a strong facade on the outside. The collection focused on building structural facades with re-engineered pieces that juxtaposed them with an innate intricacy.


House of Amir Adnan’s collection name was “Nawabs and Begums of Karachi.” The collection reinterpreted the splendour of Karachi’s aristocracy with a modern, minimalist palette of gold, white, and black. Embracing timeless elegance with a fresh aesthetic, each piece merged heritage with contemporary design, creating a striking contrast of opulence and modernity.


Three-piece suits and sherwanis in black and white were meticulously tailored, showcasing sleek silhouettes that exude sophistication. Gold accents—like intricate embroidery along lapels, collars, and cuffs—offered a refined touch, the white pieces evoked a sense of purity and poise, with black providing a bold counterpoint emphasising modern tastes. For women, the collection featured dresses in flowing yet structured designs, combining layers of delicate white and black fabrics with gold embellishments.
Deepak Perwani’s collection was inspired by strong women and architecture of Jaipur to the pink city. Ghaghras with delicate embroidered designs presented vibrant colours to the audience. “Fashion has the ability to connect people and boundaries,” the designer emphasised.

HSY’s outfits, a masterpiece, were intricately handcrafted to embody both timeless tradition and bold contemporary flair. Set against Lahore’s iconic architecture, the golden elements in each design symbolized the timeless elegance that defines both the city and his brand.


Ali Javeri’s segment presented opulent jewellery with stones and kundan, accentuated by black dresses worn by the models.


LifeStyle
Nadaan – A Battle Between Good and Evil

By Ayman Munaf
Sultana Siddiqui, the powerhouse behind Hum Network, presented yet another compelling story after Mann Jogi on the screen with her second production, Nadaan. Known for her fearless approach to storytelling and projecting reality, Sultana Siddiqui once again chose to tackle pressing social issues through an intense drama series that promise to engage and inform. Nadaan, directed by Mehreen Jabbar and written by Saji Gul, delve deep into the dark realities of drug mafia and corruption, giving viewers a gripping portrayal of crime and resilience.
The story revolved around SHO Hussain (Ahmed Ali Akbar) and Dr. Tabeer (Ramsha Khan), two determined characters whose paths converged in their mission to cleanse their community from the pervasive influence of drugs. Set in the fictional town of Jam Nagar, where drug lords reign supreme and manipulate the weak, Nadaan showcased the relentless battle between good and evil. Ahmed Ali Akbar’s character, Hussain, a principled police officer tasked with rooting out the narcotics trade. His character pitted against the formidable antagonist Pir Subhan, a powerful drug lord who sold “ice” under the guise of medicine to his followers.
Nadaan is not only a narrative on addiction but also an exploration of the resilience required to stand up against evils. The episodes kept viewers engaged without the drawn-out length typical of traditional dramas, aligning with the recent trend of mini-series that deliver impactful storytelling within a shorter framework. This approach has resonated well with audiences, as seen with previous successful Hum TV mini-series like Mann Jogi.
Critics have praised Nadaan for its realistic portrayal of the drug trade and the psychological toll it takes on both victims and those who fight to protect them. Under Mehreen Jabbar’s direction, the drama shed light on how crime and corruption deeply infiltrate communities, and how a few brave souls can make a significant difference. Saji Gul’s storytelling doesn’t just entertain but educates the audience on the harsh realities of addiction and the importance of societal responsibility.
This mini-series format has allowed Hum TV to craft concise, high-impact narratives that captivate modern viewers who seek meaningful, fast-paced content. With Nadaan, Sultana Siddiqui has once again underscored her commitment to using media as a platform for social awareness, shedding light on topics that are often brushed under the rug.
In a society grappling with numerous challenges, Nadaan stands as a powerful reminder of the courage needed to confront wrongdoing. By bringing together a stellar cast and a visionary director, Sultana Siddiqui has crafted a story that’s both timely and thought provoking, making Nadaan a must watch for viewers looking for substance and inspiration.

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