Entertainment
Arts Council Pays Tribute to Sultana Siddiqui

Arts Council of Pakistan, Karachi’s Special Committee hosted a scintillating tribute to honour recipient Sitara-i-Imtiaz and Pride of Performance, Sultana Siddiqui, President HUM Network, for her 50 years of contribution to the entertainment industry. Indeed, a woman of substance, who through sheer hard work and intelligence has set an example for other women, exemplifying that nothing is impossible, even in adversity, if they set their mind to it. Her unwavering focus made her the first woman owner of a channel in South Asia.

The ceremony, which was presented by Iqbal Lateef, began with a show reel on Sultana Siddiqui’s life. The speakers, the who’s who of society, spoke on the different and numerous aspects of her life. President Arts Council of Pakistan, Karachi, Muhammad Ahmed Shah thanked the attendees and praised Sultana Siddiqui’s tireless work adding that she had been paid a tribute by three generations at the event including leading actors and directors.

Hameed Haroon hailed Sultana Siddiqui as a role model, acknowledging her rare blend of intellect and drive that has propelled her to greatness, setting a shining example for women in Pakistani society and beyond. “A major conundrum of creative energy and destination is what has built Sultana into a strong figure she’s being viewed as today. She has worked from the bottom of the ladder with unique strength.”

Javed Jabbar admired her unwavering character, calling her a trailblazer who exemplified grace in the face of challenges. “I highly respect Sultana Siddiqui for her courage in the face of life’s challenges. She’s been a trailblazer, setting an inspiring example for others to follow.”
Arif Habib lauded Sultana Siddiqui as a visionary who has not only revolutionized the entertainment industry but also instilled the same ethos of excellence in her children. “Sultana herself is a brand who has made entertainment commercially viable, generating profitable ventures for all stakeholders involved.”
“A major conundrum of creative energy and destination is what has built Sultana into a strong figure she’s being viewed as today. She has worked from the bottom of the ladder with unique strength.”
Anwar Maqsood remarked on the origins of the name ‘Hum,’ referencing Ghalib’s use of the word in his poetry and humorously attributing it to Momina, Duraid and Sultana’s combined efforts.

Khushbakht Shujaat said, “Sultana is a woman with genuine sincerity. I have never heard her speak ill of anyone. We, as women, know that when a woman reaches a high position she has endured many hardships to get there, and Sultana is one such example.”
Recalling memories at Zubaida College, Mahtab Akbar Rashdi reminisced about Sultana Siddiqui’s resilience, portraying her as a fighter who always emerged victorious in the face of adversity. “I was once asked to write about her and I titled it as ‘The Fighter, The Conqueror’ as she embodies strength and success in every endeavour.”

Anis Haroon reminisced about her impactful early work at PTV, highlighting her work ethic and appreciating her instrumental role in shaping HUM Network into the powerhouse it is today. “Sultana hasn’t made HUM Network easily, she has truly worked hard to establish its presence everywhere.”
Noorul Huda Shah reflected on Sultana Siddiqui’s role as a mentor and friend, comparing her friendship to a sheltering tree. “From her, I have learned how to be a mother-in-law, how to raise children as a single mother, and how to be a person of great character.”

Bushra Ansari praised Sultana Siddiqui’s friendship saying that she knew its real meaning. “I think people like Sultana Siddiqui are exceptional. She has set an example for us with such an incredible career. It’s my suggestion that roads and buildings should be named after her and this tribute should be given to her during her lifetime.”
“Saying anything for Sultana Siddiqui is like showing a lamp to the sun,” expressed Sabahat Rafiq. “I may be very inadequate to say anything in praise of her. I have seen her on the journey of perfection. Whatever she does in life, I have seen that she works with full passion, and full quest for perfection. The most beautiful thing I have seen about her is that she is a complete mother. In life, you meet a lot of people whom you feel they existed in you all along. When I met Sultana Siddiqui for the first time, I felt that she was always present in me.”

Mahira Khan said that Sultana Apa achieved all goals whatever she set her mind to. “I have never seen anyone who named their businesses after their daughters-in-law, which itself shows that she is a feminist. I have always seen Sultana Apa happy for her loved ones,” she added.
Masarrat Misbah was of the opinion that all the awards such as Pride of Performance and Sitara Imtiaz are very few seeing the kind of work Sultana Siddiqui has been doing. “She should be awarded a Nobel Prize,” she emphasized.
“From her, I have learned how to be a mother-in-law, how to raise children as a single mother, and how to be a person of great character,” said Noorul Huda Shah
According to Tina Sani, “It’s difficult to keep yourself grounded when you have achieved so much success in life. I have never seen anyone who never changed as a friend. I always knew I could count on Sultana Siddiqui.”

Humayun Saeed expressed gratitude to Ms Siddiqui’s pivotal role in his career and the success of their dramas. Zeba Bakhtiyar shared, “I think her biggest quality is that even now, after achieving so much which everyone has said, the biggest achievement is to be so approachable that anyone can visit her office and talk their heart out. Moreover, I have never seen her getting angry with anyone.” Shahzeb Khanzada appreciated the work that she has done, saying whether it is about children or it is about being a feminist, it has not been an easy job in Pakistan; however, Sultana Siddiqui has done it.

Adnan Siddiqui shared that if his mother would have been alive today, she would have been like Sultana Siddiqui. He also praised her unprecedented achievements. Asif Raza Mir expressed gratitude for her mentorship and guidance, recognizing her significant role in shaping the success of the younger generation and paving the way for a brighter future in the industry. Sanam Saeed celebrated Sultana Siddiqui as an inspiration and mentor, emphasizing the profound impact she has had on her career and her life.

Javed Sheikh shared that such programmes should be organized so that the world knows about Sultana Siddiqui and her work because she deserves it. Zaheer Khan said, “When it comes to TV, it’s not just about the actors but the real game is the producer, and Sultana Siddiqui kept us, the producers alive.” Khalid Anam expressed his gratitude for working with Sultana Siddiqui, and said, “Our history has many Sultans but Sultana is the one and only!” Aijaz Aslam noted her balanced approach to personal and professional life. “Sultana Siddiqui has always been a visionary and a trendsetter in the industry,” he said.

Duraid Qureshi paid homage to his mother’s nurturing influence, saying “During our 19 years together building HUM, Sultana Siddiqui’s Midas Touch has transformed every person she touches into gold. Her support has shaped not only artists and directors but her entire family as well.” While Shunaid Qureshi shared, “My bond with Sultana Siddiqui is beyond words. She’s a woman of priorities and has excelled as both a mother and an entrepreneur, inspiring all of us with her true dedication.” Momina attributed her success in the media industry to her mother-in-law’s mentorship and positive energy, sharing that her media journey was guided by her influence. Moomal said, “My mother-in-law encouraged me whole-heartedly to open my production house. Mothers are the ones who hold families together. She’s an inspiration that way to all of us because in this day and age when family bonding and values have become a challenge, people admire us for being grounded and united. The credit for that goes to Sultana Siddiqui solely.”

At the end of the programme, Sultana Siddiqui thanked the Arts Council and Ahmed Shah for the tribute, expressing gratitude for the recognition that was given during her lifetime. She said, “I am happy hearing such sincere words from these speakers and today angels will also write my good deeds hearing them. Due to this tribute, I have realized my worth.”
Arts Council of Pakistan Karachi presented Sultana Siddiqui with a Lifetime Achievement Award on the occasion.
In Tune
Faakhir Mehmood – Music Embedded in the Soul
Meeting an artist whose voice defined an era, Faakhir Mehmood greets you not with the air of a pop legend, but with the warmth of an old friend. Witty and friendly, Faakhir’s journey from the Awaz days, crafting patriotic anthems and soulful ballads is a chapter in Pakistan’s music history.
Now, as digital waves replace cassette decks and TikTok trends redefine hits, Faakhir continues making melodies and staying true to what first pulled him into music. “Honestly, it feels like riding a wild musical roller coaster,” he smiles, reflecting on his journey. From engineering classrooms to global stages, the transformation has been surreal. “I barely recognize the engineer-turned-musician in old pics!”

Faakhir’s musical career first took flight with Awaz, the iconic ’90s pop band that helped shape the sound of a generation. And while the band has long disbanded, the memories remain golden. “What I miss the most is the friendship, the chaos,” he says fondly. “Haroon’s energy, Asad’s stratocaster riffs, my frantic keyboard noodling… and those epic moments when we’d finally agree on a final version of a song. It was electric.”
From those jam-packed, impromptu sessions to today’s meticulous studio marathons, Faakhir’s process has evolved with time but the same heart remains. “Back then, we’d jam until someone had to escape for a date,” he laughs. “Now it’s long hours in the studio, powered by karak chai or a strong Americano.”
While his discography is filled with iconic hits, it’s ‘Kaash Hum Juda na Hotay’ from the album Mantra that holds the deepest place in his heart.“It came from a very personal space,” he shares quietly. “It still gives me goosebumps every time I hear or sing it.” His breakout solo anthem, “Dil na Lagay Pakistan”, still stirs hearts across the country—something he says was born out of youthful hope and a desire to connect with the nation. “I wanted to give people a proud, emotional wake-up call for loving the country. It just came in my heart one day.”
And who could forget ‘Mahi Ve’—the song that became a cultural reset? “Ironically,” he chuckles, “that melody was actually a rejected jingle from an ad I did. Later, I turned it into a full-fledged song. Never thought it would become a classic!”
A man of many hats—composer, singer, director—what role does he enjoy the most? “Composing,” he answers instantly. “It’s like cooking a fusion dish. But performing live? That’s the ultimate high. That energy, that crowd—it’s addictive.” Despite the quieter public presence in recent years, Faakhir’s creativity hasn’t slowed down. “I’m always composing,” he reveals. “I have tons of unreleased material sitting in my vault.”
Still, he admits the changing tides of the music industry have been a lot to keep up with. “Streaming, social media, TikTok—it’s overwhelming,” he says honestly. “I desperately need someone to help me with that part!” He credits Coke Studio for keeping local music alive and ever-evolving. “It’s like a chemistry lab,” he says. “Taking old, new, folk, pop—mixing it all together to create something that resonates with everyone. It’s genius.”
To young musicians trying to find their voice in this fast-paced world, his advice is delightfully simple,“Stay weird. That’s your flavour,” he says. “Learn the tools, sure, but don’t let them erase your creative spark.”

Behind the scenes, Faakhir still surprises fans. Did you know he’s a certified electrical engineer? “Yes, I can probably fix your Wi-Fi router,” he jokes, “but only after I’ve tuned a piano.”
As for what’s next, the composer hints at a few exciting collaborations. “They’re brewing,” he says with a mischievous grin, “but I’m so lazy! Fingers crossed.”
If he could give his younger self any advice? “Pace yourself. Don’t be lazy, don’t get too comfortable.”
And what does success look like to Faakhir Mehmood in 2025? He smiles thoughtfully. “A peaceful home, a cup of karak chai, a melody on the keys… and knowing that someone out there still hums one of my songs and understands the heart behind it.”
In the end, how does he want to be remembered—not just as a musician, but as Faakhir? He answers simply, without pause, “As someone genuine, generous, kind-hearted… and who truly loved his craft.”
Entertainment
Hundan: Touching the Core of Humanity

In the bleak, haunting silence of Gilgit-Baltistan’s snow-capped mountains, a story of nature, love, loss and its consequences took place centuries ago. Told in hushed tones by flickering firesides by the elders, it was immortalized in the film Hundan. Written, directed and produced by Karamat Ali, who belongs to the area, the filmmaker has a deep-rooted passion for folklore and cultural preservation.
A mass communication graduate, Karamat Ali brings to the screen a story bound in legacy. Hundan is a docu-drama that protects forgotten voices, confronts environmental exploitation and resurrects the dying Burushaski language.

“My grandmother used to cry while telling me this story.”Karamat said,when asked what inspired him to make Hundan. “This story was part of my childhood. My grandmother would narrate it with such emotion that it stayed with me. There was no television, no other distractions in those days. The story is about coexistence, and how doing wrong never goes unpunished.” That seed of storytelling was planted in 2007. After an initial attempt as a documentary and a reenactment performance that won hearts at a cultural event, he decided to take the bold step into narrative cinema. Eighteen years later, Hundan was born.

“Trophy hunting is not sport, it’s a crime against innocence.”At its heart, Hundan is a powerful protest against trophy hunting, a practice that has devastated local wildlife, particularly the endangered species like the ibex.“Who has given us the right to kill an innocent being just for entertainment?” Karamat questions with intensity. “We portrayed both sides — the greedy, and those trying to stop the greed. But my intention was clear: to show the heartbreak, the loss. There’s a scene where a mother ibex is killed in front of her young. That pain is real. And unforgivable.” The symbolism goes deeper. “Hun means wood, and dan means stone. Together, ‘Hundan’ is a metaphor — when you go against the path of righteousness, nature will respond. It becomes your teacher.”
Hundan also protects Burushaski, a dying language native to the region. “When someone is about to die, people go to see them with all their emotions. That’s what I’ve done with Burushaski — I’ve shown its joy, sorrow, anger, peace and mourning,” says Karamat with feelings. Though the film is being dubbed in Urdu for a wider audience, its original language remains its soul.
Filming Hundan was anything but smooth. The movie was supposed to be shot during the snow season, but due to climate change, the team found themselves waiting weeks for snowfall that never came. “I had to manually fill snow in some patches to make the scenes consistent,” he explained. Budget was another battle. “Most of the money went into fuel — we needed heaters, electric mattresses and generators to survive the mountain cold.”
But passion found a way. The cast, though not professional actors, were chosen with precision. Shahino was played by Alhan ul Qudrat, a seismologist, while Mayon was brought to life by Zahid Azeem, a school principal, both belonging to the area. Their physical endurance made it possible to shoot in the toughest terrains. “I didn’t stick to a fixed script,” Karamat says. “I’d explain the previous and upcoming scenes and asked the actors to speak in their own way. Munira Shah, who played Nisa, didn’t speak Burushaski — she had to learn her dialogues and understand it from scratch.” The grandmother’s character was portrayed by a real elderly woman, encouraged to act as naturally as she would. An old man who was also a professional storyteller delivered the final tale in the film.
Hundan is dedicated to Ghulam Uddin Hunzai, a beloved teacher and poet who translated the Quran into Burushaski and wrote educational books despite having only learned through the Qaida. “He was selfless. He taught generations — and now, they are all successful in their fields.”
When asked what advice he has for aspiring filmmakers, Karamat doesn’t hold back, “You need to be madly in love with your story. Don’t make films just to get views – make them to change lives. If your story doesn’t have a purpose, don’t tell it. And don’t do it if you don’t have the resources — unless you’re truly passionate. You need to be mad about your work.”
Karamat isn’t done telling stories. His next project, “A Missing Piece — Peace,” is a short film series focusing on the alarming youth suicide rate in Gilgit-Baltistan. “In one year, 56 suicides were reported aged 14 to 35. That’s heartbreaking. The lack of opportunity, peer pressure etc, it’s real, and it’s killing our youth.” He’s also preparing for a cross-border film on Pakistan-China friendship, partially shot in China. “It’s a story of a child’s struggle, a message of unity.”

“If Hundan could stop just one person — many just come for the fun — from trophy hunting,” Karamat says, “we’ve succeeded. Why not turn it into a sight-seeing opportunity instead? The animal doesn’t know it’s part of the game — it’s not a sport, it’s murder. Shoot it with a dart and make it unconscious, don’t kill it for the sport of it.”
Hundan: An Echo of a Dirge is more than a film. It’s a resurrection of language, a cry against cruelty, and a tribute to the power of folklore. Through the eyes of a grandmother, the blood of the mountains, and the beating heart of a culture on the edge, Karamat Ali has told a story that refuses to be forgotten. And as long as the stones whisper and the wood remembers, Hundan will echo its message.

Cast & Crew Share the Soul Behind Hundan
Alhan Ul Qudrat (Shahino)
“I never imagined I’d step into acting — it just wasn’t part of the plan. But growing up in the mountains, we’ve witnessed these stories all our lives. They’re part of who we are. The message of Hundan — that we must preserve wildlife and avoid harming nature — really resonated with me. Because what we destroy in nature eventually finds a way back into our own lives. It was also a proud moment to be part of the first film ever made in the Burushaski language. I gave it my all.”
Zahid Azeem (Mayon)
“Like Alhan, this was my first time in front of the camera — and honestly, I never thought I’d be able to do it. But with Karamat’s mentorship and the support on set, everything felt possible. Burushaski is my own language, and I feel lucky that I could express this story in words that come from my roots. It made the experience even more personal.”
Munira Shah (Nisa wife of Shahino)
“I don’t speak Burushaski, and I was really nervous about my accent. I told Karamat I wasn’t sure I could do it — but he simply said, ‘I’ll support you,’ and that meant everything. I had always dreamed of visiting Hunza, but I wanted to go with purpose. The love and support I received were overwhelming. We weren’t just a crew — we were a family. Every moment was joyful, filled with warmth and laughter.”
Shagufta Rasool (Asst. Director)
“Karamat is an incredible director — truly committed and calm even during duress. Yes, there were challenges during the shoot, but every problem was taken care of. The support from our team, especially our First AD Amjad — who’s also Karamat’s brother — made it all smooth. We pulled through as a strong, united crew.”
Extract: Filming Hundan was anything but smooth. The movie was supposed to be shot during the snow season, but due to climate change, the team found themselves waiting weeks for snowfall that never came.
In Tune
Abdul Rafay: A Voice with a Soul

In the vibrant world of music, where every note tells a story and every lyric speaks to the soul, Abdul Rafay stands out as a voice that resonates with emotion and depth. His melodic journey began at home, with an elder brother whose passion for music lit the first spark. A simple introduction to a classical music teacher became a turning point, as the guru recognized Rafay’s talent—a voice reminiscent of the classical Patiala gharana. From that moment, Rafay’s path in music was destined.

Under the mentorship of Intezar Hussain at NAPA, Rafay’s talent blossomed. “Sir Intezar was more than a teacher, he was a mentor who pushed me to explore, innovate and perfect my craft,” Rafay shares. This guidance not only honed his classical roots but also introduced him to the nuances of stage performance and vocal versatility.
At just 13, Rafay’s win at the Youth Festival, competing against seasoned vocalists proved his mettle. “That moment was surreal,” he recalls. “It was a validation of my hard work and the first major milestone in my life.” The nation’s interest for Rafay deepened during his stint as a finalist on Pakistan Idol. His soulful performances captivated millions, propelling him onto international stages and into the hearts of fans across continents. “Pakistan Idol was a game-changer,” Rafay says. “It opened doors I hadn’t even dreamed of.”



In 2019, Rafay’s contributions to patriotic music earned him the prestigious Pakistan Peace Award from the Air Force. “It was an honour to be recognized for something that resonates so deeply with me—using my voice to uplift and unite.” Sharing the stage with legends like Abida Parveen, Ali Zafar and Sonu Nigam has been another feather in Rafay’s cap. “Sonu Nigam’s humility left a lasting impression on me. It’s these experiences that fuel my passion to keep growing and learning,” Rafay reflects.
Rafay’s discography is as impressive as his journey. From the heartfelt Na Hone Du Juda for B4U Music in India, to the soulful Woh Pyar Tha for Bol Beats, his voice has resonated across borders. His song Piyaaa with Laal Series showcases his versatility, while the patriotic Khaak Ki Qasam stirs national pride. Rafay has also lent his voice to popular OSTs like Apne Hei Tu Hain for Green Entertainment and Main Hun Kahani for Express Entertainment, cementing his place in the hearts of drama enthusiasts. His musical style is a blend of classical rigour and contemporary flair, drawing inspiration from artists like Arijit Singh. “Classical music is my foundation, but I enjoy experimenting with genres, always staying true to the essence of each.”
His journey hasn’t been without challenges. Navigating the music industry without connections has been tough, but Rafay’s resilience remains unshaken. “I focus on improving my craft, believing that opportunities will come when the time is right.” Looking ahead, Rafay is excited about upcoming projects, including original soundtracks and collaborations. “I’m also keen on exploring international collaborations. Music is a universal language, and I want to use it to bridge cultures and connect people.” For young, aspiring singers, Rafay’s advice is: “Stay true to yourself, work hard, be humble, and let your authenticity shine through. Success will follow.”
Reflecting on his journey, Rafay cherishes every moment, especially those with his mother, his unwavering supporter. “Her belief in me is the cornerstone of my success,” he says. As Rafay continues to enchant audiences with his soulful voice and heartfelt performances, his legacy of authenticity, passion and perseverance is one that will inspire generations to come.
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