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The Man Behind Pakistan’s Photography Evolution

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Recipient of the Tamgha-e-Imtiaz, Prof. Rahmatullah Khan has been a trailblazer in photography education in Pakistan. As the architect of the country’s first photography diploma, his contributions span across photojournalism, media arts, TV production, archaeology, cultural heritage. Teaching students the nuances of the evolving world of photography and his advice for aspiring photographers.

Can you share your journey into photography? What inspired you to pursue the field of photography?

R.K: My journey with photography started at the age of six when my elder brother gifted me a camera worth 110 rupees. That little piece of equipment sparked a lifelong passion. I always say, “Photography is my religion.” But passion alone wasn’t enough. Coming from a nawab family, my mother strongly opposed my career choice. She believed photography wasn’t a suitable path for someone from our background. I was determined, though, and refused to let societal expectations dictate my future.

An MBA in Marketing and I worked in computer marketing for ten years. However, something was always missing. One day, I made a bold decision—I left my corporate job and dedicated myself entirely to photography. I started teaching at the Pakistan American Cultural Center (PACC), and from that moment, there was no looking back. It’s been 36 years since I began teaching photography, and I still love every moment of it.

How did you become associated with Alliance Française de Karachi?

R.K: As my teaching career expanded, I started working at multiple institutions, including PACC. When I approached Alliance Française, they welcomed me aboard, and I eventually established my own art gallery here. At one point, I was teaching in six to seven universities simultaneously! Currently, I am pursuing a Ph.D. in Visual Anthropology of the Indus Civilization, a photography-based research project that—if completed—will be the only one of its kind in the world. It’s a thrilling challenge!

What were some challenges you faced as a photographer in Pakistan?

R.K: Every day is a challenge—not just for photographers, but for media professionals in general. I have taught TV production, film production, and video production at universities, and one of my biggest concerns is the lack of dedication among the younger generation. They get excited about the field but lose interest in just a few days. There’s a serious gap in career counseling—something that was once addressed at PACC by Dr. Falak Thawar. She had a Ph.D. in student career counseling, but after her passing away, the entire department shut down.

What are the key elements that make a compelling photograph?

R.K: It varies from photographer to photographer, but a great photograph should showcase both artistic vision and technical skill. Ansel Adams once said, “We don’t take photographs; we make photographs.” That’s an essential mindset. A photographer must compose the image with intention, paying close attention to lighting, angles and emotion.

With digital photography and AI on the rise, how do you think photography as an art form is evolving?

R.K: Technology will keep evolving, but photography will always remain photography. Cameras may become more advanced integrating AI features, but at the end of the day, the art lies in the hands of the photographer. I still develop my photographs in a darkroom, using traditional black-and-white techniques. I even import film and chemicals from Dubai because I believe there’s something special about analog photography that digital can’t replicate. I’ve also introduced a darkroom photography course to keep this tradition alive.

You have been recognized as an archaeology and heritage photographer. What draws you to these subjects?

R.K: I began my career with wildlife photography—long before it gained recognition. But wildlife photography requires an immense amount of time, so I transitioned into fashion photography. Eventually, I received an assignment to shoot heritage sites, and I never looked back.

I have traveled to China four times by road, cycling across entire provinces to document heritage sites. Unfortunately, in Pakistan, archaeology and heritage photography are underappreciated. Exhibitions happen here, but the real demand comes from international audiences.

What role does photography play in preserving Pakistan’s cultural heritage?

R.K: Photography is a powerful tool for preservation, but it requires people who truly care. Thirty years ago, I took my students to Makli Graveyard—a place rich in history. People mocked me, questioning why I was interested in photographing old tombs. But I saw it as an opportunity to document our heritage. Today, many realize the significance of such places, but back then, very few paid attention. The journey of photography education in Karachi has been remarkable. When I started teaching in 1988 at PACC, the field was still in its infancy. Over the years, I’ve played a key role in shaping photography education, especially in Karachi. Today, we offer internationally recognized diplomas at Alliance Française, providing students with a globally competitive edge.

What advice do you have for young photographers who want to turn their passion into a profession?

R.K: Practice, practice, practice! Photography is not just about technical skill—it’s about dedication. You must shoot every day, every week, and every month to refine your craft. Master the fundamentals—lighting, composition, and exposure. Your camera is just a tool; it’s your vision that makes the photograph. Creativity and technical expertise must go hand in hand.

For upcoming photographers, my advice is simple: stay consistent, stay curious, and never stop exploring.

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A Teen's Lens

Fashion Influencers are Becoming Cultural Ambassadors

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Written by Myra Shah

Each province in Pakistan has distinctive fabric heritage, such as the Sindhi ajrak and Punjabi phulkari. Pakistani fashion influencers have blended cultural identity with modern tools to rebrand Pakistan’s global image. Social media is no longer only about entertainment for us, it is also where we learn about culture, identity and trends.

Some examples of famous fashion influencers in Pakistan include, Zain Ahmad the founder of a Pakistani clothing brand ‘Rastah’ that has gained international recognition. Zain’s designs have been worn by famous influencers including Justin Bieber and Anwar Hadid.

Moreover, model Mushk Kaleem, frequently represents Pakistan while walking runways abroad, talking about inclusivity. This made us brown teens who feel left out from the beauty standard, feel seen as she has redefined the “ beauty standard”

These creatives have made Pakistani fashion more accessible to us, younger generations eg. by pairing khussas with jeans. This also attracts international audiences who want to incorporate cultural elements into their fashion style. These steps keep our culture alive, while making it a part of everyday fashion.

Fashion influencers play a critical role in highlighting the diversity between the different regions of Pakistan, as many feature regional designs in their content, allowing viewers to witness the wide spectrum of Pakistani culture through a single scroll of their social media accounts. This plays a significant role as it was found that 82% of people are highly likely to follow influencer recommendations (Berger, 2016)

Pakistani wedding fashion has gone viral on social media platforms such as Tiktok and Instagram and led to Pakistani designer’s work being featured in bridal magazines as well as representing South Asian culture. Influencers like Sarah Sarosh frequently incorporate Pakistani elements in their content, this demonstrates the influence of our fashion across borders.

Apart from clothing fashion, influencers like Hania Amir have used their reach not only to showcase fashion, but also to promote mental health awareness and body positivity – topics that really matter to us as teens. Fashion influencers elevate Pakistan’s global image and positively affect the economy by highlighting small businesses that contribute to the country’s creative economy.

Furthermore, many influencers are now invited to international fashion weeks and exhibitions, further cementing their status as cultural ambassadors. The power of Pakistani fashion influencers is growing rapidly and this comes with great responsibility. It is essential influencers promote sustainability and ethical practices. Influencers like Anoushay Abbassi’s blend of fashion and advocacy for supporting local artisans makes their influencer role highly crucial.

In today’s day and age, teenagers are growing up in this digital world where perceptions are shaped by information available on the internet, especially social media. Pakistani fashion influencers have become trendsetters, story tellers and identity shapers. Through every post, reel, OOTD (outfit of the day) pictures they are transforming how the world sees Pakistan. Clothing in Pakistan is a powerful expression of national pride, cultural identity and centuries old craftsmanship.

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Pakistan Women’s Foundation for Peace

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Women’s Day 2025

The Pakistan Women’s Foundation for Peace hosted the Women’s Day 2025 event, addressing Pakistan’s persistent gender disparity and the critical need for equality. Despite women’s undeniable contributions to society—excelling in academics, breaking stereotypes, and achieving historic milestones—Pakistan ranks 145th out of 146 countries on the Global Gender Gap Index, a position it has held for years.

President PWFFP said Women make up 49 percent of the population, yet their literacy rate remains only 51 percent, and their workforce participation stagnates at 25 percent. Even in politics and corporate leadership, their presence is limited, often restricted to token roles. Rural women face even harsher realities, with unpaid labour and lack of recognition. Billions have been spent on women’s development programmes, yet tangible improvements remain scarce.

PWFFP urges a national commitment to addressing these issues through better resource allocation, strict accountability, and a stronger push for gender parity. This year’s event featured renowned experts Dr. Ishrat Husain (Economist), Ms. Nasreen Jaleel (Politician), Dr. Tasneem Ahsan (Health Specialist), Barrister Zahra S. Viyani (Legal Expert), Ms. Baela Raza Jameel (Educationist), and Dr. Asad Sayeed (Economist). Their insights highlighted solutions to break barriers and advance women’s empowerment in Pakistan.

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Songkran – Festival of Water

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The vibrant spirit of Thailand came alive in Karachi recently, as the Royal Thai Consulate General hosted the Songkran Festival at the Pakistan American Cultural Center (PACC). Held in collaboration with the Pakistan National Council of the Arts (PNCA), PACC and Pakistan Print and Electronics Media. The event marked two special occasions: the Thai New Year and the 75th anniversary of diplomatic relations between Thailand and Pakistan.

Consul General Mr. Surashete Boontinand opened the evening with a warm address, highlighting the cultural significance of Songkran, recently inscribed by UNESCO as an Intangible Cultural Heritage of Humanity. He emphasized the importance of cultural exchange in strengthening bilateral ties.

Over 200 guests, including media representatives, diplomats and members of the local community, were treated to a colourful lineup of performances that blended Thai and Pakistani traditions. From elegant Thai dance to rhythmic Pakistani music and dance the evening was a celebration of unity through culture.

Guests also enjoyed a rich spread of Thai cuisine and took part in traditional Songkran activities, including the famous water-splashing ritual, which symbolizes cleansing, renewal, and good fortune.

The Songkran Festival in Karachi was more than a cultural showcase—it was a reflection of the growing friendship and mutual respect between the two nations, leaving attendees with memories of joy, connection, and shared heritage.

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